meet fran
I was born in Costa Rica and spent my early childhood moving between family there and in Italy before my mom, sister, and I
moved to the United States when I was about six. After that, we moved constantly, new states every year or two. I learned pretty
quickly how to adapt, how to become a bit of a chameleon and read the room, figuring out what each environment would
enjoy the most.
Music was always present growing up. My mom sang around the house all the time and at any hour of the day. It was
how she processed both joy and difficulty. Some of my favorite memories are of us singing
whole albums together in the car on long drives, with the music turned up so loud you could really
sing without feeling embarrassed.
I didn’t grow up around musicians, didn’t have connections, didn’t know how any of the industry
worked. The closest I got to learning music theory was when my mom was dating someone in
California who loved classic rock -Clapton, Zeppelin, all of that- and played guitar pretty well.
He would practice every day and I quickly became interested in it. He taught me all the
basic chord shapes that became the foundation of my music knowledge. I never
learned how to read music so everything I’ve written on the guitar came from
attaching the chord names to my finger positions, and then as I got my own
guitars- teaching myself going forward.
In a lot of ways, my relationship with music grew out of a million tiny
decisions to trust myself. First it was just, this feels good, I’ll keep doing it.
Then it became experimenting with my voice, letting my body find notes
before my brain got involved, and deciding what felt honest instead of
what I thought was “right.” Over time, I developed a taste, a confidence
in my choices, even if I couldn’t always explain where it came from.
Writing and singing forced me to listen inward, to trust choices
before I could justify them.
That’s really how music entered my life, not as a grand
decision, but as an act of self-trust that kept growing until
it became impossible to ignore.
Right now, I’m focused on writing as much as I can.
I’m incredibly proud of my first EP, Sanity,
and I’m currently working on my second.
This next project feels like an extension
of that same trust – saying the things
that feel worth taking up space,
and continuing to follow my
voice.

